A review of Celebrating Simms, a permanent physical and digital exhibit honoring the legacy of Black educator Lucy Simms, directed by Mollie Godfrey and Seán McCarthy
A review of the Gloria Naylor Archive, a physical and digital space making the works of Gloria Naylor available, directed by Suzanne M. Edwards and Mary Foltz
A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner
A review of Eileen Southern and The Music of Black Americans, a community-curated digital exhibition, directed by Katie Callam, Christina Linklater, and Carol J. Oja
A review of MaCleKi, a location-based digital history project that curates historic places in and around Kisumu, Kenya, directed by J. Mark Souther, Meshack Owino, and Erin J. Bell
A review of Medicine | Race | Democracy Lab, a digital humanities project exploring access and care beyond hospital systems, led by Lan Li, Ricardo Nuila, Fady Joudah, Pierce Salguero, and their team
A review of COVID and Black California, a dashboard exploing how the COVID-19 pandemic affected Black people in California, led by Paulette Brown-Hinds, Stephanie Williams, Candice Mays, and Alex Reed
A review of Forever Gwen Brooks, a website generating variations of the final poem in Gwendolyn Brooks' 1969 chapbook RIOT, created by Lilian-Yvonne Bertram
A review of Black Craftspeople Digital Archive, an archive of the lives and experiences of Black craftspeople during the 18th and 19th centuries, directed by Tiffany Momon and Torren L. Gatson
A review of Solidarity Book Project, a collaborative art project supporting access to books for Black and Indigenous communities, directed by Sonya Clark
A review of The Penn & Slavery Project, an app and website investigating the University of Pennsylvania's relationship to slavery, directed by Kathleen Brown
A review of Undisciplining the Victorian Classroom, a pedagogical resource for teaching Victorian studies through a race-conscious lens, directed by Pearl Chaozon Bauer, Ryan D. Fong, Sophia Hsu, and Adrian S. Wisnicki
A review of The Mixtape Museum, an archive project that collects, preserves, and shares knowledge about mixtape history, directed by Regan Sommer McCoy
A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter
A review of Against All Odds, a digital archive of the African American men who served in the Mississippi state legislature from Reconstruction until the 1890s, created by DeeDee Baldwin
A review of Mapping Marronage, an interactive project examining the mobility of enslaved people in the 18th and 19th centuries, directed by Annette Joseph-Gabriel
A review of Furious Flower Digital Archive, a project featuring materials from the 1994 Furious Flower Poetry Conference, led by Joanne V. Gabbin and the Furious Flower Poetry Center
A review of Louisiana Slave Conspiracies, an interdisciplinary project on the 18th-century Pointe Coupée slave conspiracies, led by Bryan Wagner, Patty Frontiera, Shadrick A. Small, and Jenelle Thomas
A review of the Anti-Eviction Mapping Project, a digital media arts collective documenting gentrification struggles and creating tools for housing justice
A review of On the Books: Jim Crow and Algorithms of Resistance, a Collections as Data and machine learning project, directed by Amanda Henley and Matthew Jansen
A review of Women of the Early Harlem Renaissance, a collection of poetry, drama, and fiction by African American women writers from 1900-1922, directed by Amardeep Singh
A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair
A review of Money and Exchange in West Africa, an archival collection demonstrating the vibrant monetary system in West Africa from the 18th to 20th centuries, directed by Leigh Gardner and Ellen Feingold
A review of the Lansing Urban Renewal Project, a georectified map tracing the development and impact of urban renewal in Lansing, Michigan since 1950, created by John Aerni-Flessner and students enrolled in RCAH 192 at Michigan State University in Spring 2018 and 2019
A review of the Indianapolis Imam Warith Deen Muhammad Community Collection, a digital collection documenting the life of Indianapolis's African American Muslim community, led by Edward Curtis
A review of My Nola, My Story, a multimedia platform for gathering, documenting, classifying, contextualizing, and sharing the experiences and legacies of communities of color that have called New Orleans home, directed by Shearon Roberts
A review of Sekuru's Stories, a digital public humanities project featuring the renowned Zimbabwean mbira player, oral historian, and ritual specialist Sekuru Tute Chigamba, authored by Jennifer Kyker and Sekuru Tute Chigamba