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Time Period: Contemporary
A review of the Maine Digital Collaborative, a multimodal digital public humanities project, directed by John Muthyala and Lisa Hibl
A review of The Resemblage Project, a multimedia project exploring aging in Toronto, directed by Andrea Charise
A review of Marjorie C. Luesebrink Collection at ELO’s The NEXT, a collection of digital literary art, directed by Dene Grigar
A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner
A review of Digital Library of the Caribbean, a digital library focused on preservation and access, housed at University of Florida Libraries
A review of Singing the Nation, a digital project on contemporary resonance of “Lift Every Voice and Sing,” directed by Sonya Donaldson
A review of In Search of the Drowned, a corpus development and data mining project that explores how to give voice to voiceless Holocaust victims, directed by Gabor Mihaly Toth
A review of Digital History of the Jews of Boston, a pedagogical exploration of Jewish history in Boston and beyond, directed by Simon Rabinovitch
A review of Hispanic Theater Collection / Colección de teatro hispánico, a digital exhibit showcasing the theatrical past and present of Hispanic artists, directed by Gabriela Baeza Ventura and Lorena Gauthereau
A review of Disability and Belonging, an ArcGIS StoryMap exploring the Camphill movement, directed by Katherine Sorrels
A review of the Islam Burkina Faso Collection, a database of materials on Islam, directed by Frédérick Madore
A review of QR Code Quilt, an ArcGIS StoryMap exploring the digital and tactile dimensions of information, created by Kelsey Dufresne and Mary Downs
A review of Outliers and Outlaws, a public digital humanities project based on the Eugene Lesbian Oral History Project, created by Judith Raiskin, Courtney Hermann, and Kerribeth Elliott
A review of Dartmouth ‘66 Seminar Exhibit, a collection of materials related to the 1966 Anglo-American Seminar in the Teaching of English at Dartmouth College, curated by Annette Vee with contributions from Megan McIntyre and Lindsey Harding
A review of The Retro Mobile Gaming Database, a collection of mobile games from 1975 to 2008, directed by Adriana de Souza e Silva
A review of A Deeper Sickness, an online collection curated by Margaret Peacock and Erik L. Peterson to accompany their book A Deeper Sickness: Journal of America in the Pandemic Year (Beacon Press, 2022)
A review of Medicine | Race | Democracy Lab, a digital humanities project exploring access and care beyond hospital systems, led by Lan Li, Ricardo Nuila, Fady Joudah, Pierce Salguero, and their team
A review of Visualizing the Virus, a digital project exploring COVID-19, directed by Sria Chatterjee and Ellen Ambrosone
A review of I'm Still Surviving, an interactive digital exhibition featuring oral histories of women living with HIV/AIDS, directed by Jennifer Brier and Matt Wizinsky
A review of Black Health and the Humanities, interdisciplinary training workshops exploring Black health, directed by Josie Gill and Amber Lascelles
A review of Healing Histories, a timeline exploring the COVID-19 pandemic, directed by Cara Page, Susan Raffo, and Anjali Taneja
A review of Stop AAPI Hate, a website collecting accounts of anti-Asian racism during the COVID-19 pandemic, directed by Russell Jeung and Aggie Yellow Horse
A review of COVID and Black California, a dashboard exploing how the COVID-19 pandemic affected Black people in California, led by Paulette Brown-Hinds, Stephanie Williams, Candice Mays, and Alex Reed
A review of jsLDA, a browser-based tool for topic modeling, developed by David Mimno
A review of Timeline of Empire, a student-generated timeline of U.S. empire, directed by Katrina Phillips
A review of Solidarity Book Project, a collaborative art project supporting access to books for Black and Indigenous communities, directed by Sonya Clark
A review of The Library of Missing Datasets, a series of art installations bringing attention to missing data, directed by Mimi Ọnụọha
A review of Braiding Braiding, a web-based exploration of African hair brading, directed by Nontsikelelo Mutiti and Julia Novitch
A review of BLACK MEME, an interactive video essay on Black visual culture since 1900, directed by Legacy Russell
A review of East Asia For All, a podcast analyzing East Asian pop culture, directed by Stephanie Montgomery and Melissa Brzycki
A review of Indian Community Cookbooks Project, an archive of community cookbooks from India, directed by Khushi Gupta, Muskaan Pal, and Ananya Pujary
A review of The Penn & Slavery Project, an app and website investigating the University of Pennsylvania's relationship to slavery, directed by Kathleen Brown
A review of The Delek Archives, a blog documenting casteism and Islamophobia in Indian schools, directed by Titas Bose and Bhaswar Faisal Khan
Review of Digital Oral Histories for Reconciliation, a virtual reality experience on the Nova Scotia Home for Coloured Children, directed by Kristina Llewellyn
A review of Baltimore Traces, a multimedia teaching project on Baltimore, directed by Nicole King and Bill Shewbridge
A review of the Caribbean Diaspora Project, a digital project on carnival, directed by Mirerza Gonzalez-Velez and Nadjah Ríos Villarini
A review of Digitizing Rochester's Religions, a public history project on religious communities in Rochester, New York, directed by Margarita S. Guillory and Daniel Gorman, Jr.
A review of MFAngle, a podcast discussing the hidden curriculum in MFA programs, led by Tyechia Thompson and Joe Forte
A review of AudibleRVA, a project featuring soundscapes of Richmond, Virginia, directed by Andy McGraw
A review of AudiAnnotate, a tool for annotating audio files, directed by Tanya Clement, Ben Brumfield, and Sara Brumfield
A review of Connections in Sound, a project exploring Irish fieldwork audio and metadata, directed by Patrick Egan
A review of Sonic Histories of Cork City, a public arts project exploring relationships between sound, space, and history, directed by Jillian Rogers, Elaine Harrington, and John Hough
A review of The Museum of Portable Sound, a collection of field recordings organized as exhibition galleries on a single mobile phone, created by John Kannenberg
A review of The Mixtape Museum, an archive project that collects, preserves, and shares knowledge about mixtape history, directed by Regan Sommer McCoy
A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter
A review of Sound Never Tasted So Good, a project that explores how the senses work together in gustatory experiences, created by Steph Ceraso
A review of .break .dance, an interactive choreo-essay on Black diasporic existence, created by Marisa Parham
A review of Project TwitLit, a social media analysis project examining writing communities on Twitter, created by Christian Howard-Sukhil
A review of Digital Community Engagement, an open-access volume of case studies on digital partnerships, edited by Rebecca S. Wingo, Jason A. Heppler, and Paul Schadewald
A review of Emblem/as, a work of electronic literature exploring personal and geographic cartography, created by Tina Escaja
A review of RSHHGG Lab, an index for Revue de la société Haïtienne d’histoire, de géographie et de géologie (RSHHGG), directed by Chelsea Stieber
A review of Land and Legacy, a project investigating the University of Virginia’s land expansion since the 1980s, directed by Janet S. Dunkelbarger, Connor Kenaston, Natasha Roth-Rowland, Lauren Van Nest, and Chloe Down Wells
A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell
A review of SongData, a project studying the development and evolution of popular music genres over time, directed by Jada Watson with collaborator André Vellino
A review of the Anti-Eviction Mapping Project, a digital media arts collective documenting gentrification struggles and creating tools for housing justice
A review of Mapping Jewish LA, a series of interrelated digital exhibitions on the past and present of Jewish Los Angeles, directed by Todd Presner and Caroline Luce
A review of Migration is Beautiful, a digital humanities project fostering awareness of Iowa's Latinx history, directed by Janet Weaver
A review of New Roots / Nuevas Raíces Oral History Initiative, a bilingual digital information system documenting Latin Americans in the US South, directed by Hannah E. Gill
A review of Digital Transgender Archive, an online project dedicated to improving access to transgender-related history, directed by K.J. Rawson
A review of La Frontera: Artists Along the Mexico-U.S. Border, a showcase of artists, photographers, musicians, dancers, and writers from the border, directed by Stefan Falke
A digital literary project on Ciudad Juárez, directed by Carlos Urani Montiel Contrareras, Amalia Rodriguez Isaías, and Gibrán Alejandro Lucero Loera
A review of Redes, migrantes sin fronteras, a digital community resource project on migrant border crossing, directed by Rubria Rocha de Luna and Alicia Zavala García
A review of Humanizing Deportation, a community-based digital storytelling project, directed by Robert Irwin
A review of Ellas tienen nombre, a data project on gender violence in Juárez, created by Ivonne Ramírez Ramírez
A review of Makers by Mail, a mail order kit for physical computing, created by Christina Boyles and Andrew Boyles Petersen
A review of the Indianapolis Imam Warith Deen Muhammad Community Collection, a digital collection documenting the life of Indianapolis's African American Muslim community, led by Edward Curtis
A review of Name That Twitter Community!, a Python module for social network analysis, developed by Chris Lindgren
A review of My Nola, My Story, a multimedia platform for gathering, documenting, classifying, contextualizing, and sharing the experiences and legacies of communities of color that have called New Orleans home, directed by Shearon Roberts
A review of Sekuru's Stories, a digital public humanities project featuring the renowned Zimbabwean mbira player, oral historian, and ritual specialist Sekuru Tute Chigamba, authored by Jennifer Kyker and Sekuru Tute Chigamba
