Field of Study: Cultural Studies

A review of Mapping Memphis, a geospatial project using funeral ledger data, directed by Abigail Norris

A review of Newspaper Navigator, a multi-phase project redefining searches for visual data in historic newspapers, directed by Benjamin Charles Germain Lee

A review of Treasury of Weary Souls, a collection of insurance policies that underwrote enslaved people as property, directed by Michael Ralph

A review of Black Power in Washington, D.C. 1961-1998, an interactive web-based map of Black Power politics, directed by George Derek Musgrove

A review of Solidarity Book Project, a collaborative art project supporting access to books for Black and Indigenous communities, directed by Sonya Clark

A review of The Library of Missing Datasets, a series of art installations bringing attention to missing data, directed by Mimi Ọnụọha

A review of Braiding Braiding, a web-based exploration of African hair brading, directed by Nontsikelelo Mutiti and Julia Novitch

A review of BLACK MEME, an interactive video essay on Black visual culture since 1900, directed by Legacy Russell

A review of The Old Spanish Trail Auto Highway Archive and Map, a digital project on the Old Spanish Trail national roadway, directed by Lindsay Passenger Wieck

A review of Radio Free Stein, a critical sound project on Gertrude Stein's dramatic works, directed by Adam J. Frank

A review of The Comédie-Française Registers Project, a digital project featuring register receipts from the French Comédie-Française (1680-1791), directed by Jeff Ravel

A review of East Asia For All, a podcast analyzing East Asian pop culture, directed by Stephanie Montgomery and Melissa Brzycki

A review of Indian Community Cookbooks Project, an archive of community cookbooks from India, directed by Khushi Gupta, Muskaan Pal, and Ananya Pujary

A review of Baltimore Traces, a multimedia teaching project on Baltimore, directed by Nicole King and Bill Shewbridge

A review of ArchivalGossip, a website and database focusing on the role of gossip in the 19th century, directed by Katrin Horn

A review of the Caribbean Diaspora Project, a digital project on carnival, directed by Mirerza Gonzalez-Velez and Nadjah Ríos Villarini

A review of Stories in Stone, an annotated guide to the collections and papers of Ernest Westlake, directed by Rebe Taylor with Michael Jones and Gavan McCarthy

A review of Digitizing Rochester's Religions, a public history project on religious communities in Rochester, New York, directed by Margarita S. Guillory and Daniel Gorman, Jr.

A review of AudibleRVA, a project featuring soundscapes of Richmond, Virginia, directed by Andy McGraw

A review of AudiAnnotate, a tool for annotating audio files, directed by Tanya Clement, Ben Brumfield, and Sara Brumfield

A review of Connections in Sound, a project exploring Irish fieldwork audio and metadata, directed by Patrick Egan

A review of Undisciplining the Victorian Classroom, a pedagogical resource for teaching Victorian studies through a race-conscious lens, directed by Pearl Chaozon Bauer, Ryan D. Fong, Sophia Hsu, and Adrian S. Wisnicki

A review of Sonic Histories of Cork City, a public arts project exploring relationships between sound, space, and history, directed by Jillian Rogers, Elaine Harrington, and John Hough

A review of The Museum of Portable Sound, a collection of field recordings organized as exhibition galleries on a single mobile phone, created by John Kannenberg

A review of The Mixtape Museum, an archive project that collects, preserves, and shares knowledge about mixtape history, directed by Regan Sommer McCoy

A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter

A review of Sound Never Tasted So Good, a project that explores how the senses work together in gustatory experiences, created by Steph Ceraso

A review of the Shakespeare and Company Project, a database of records from Sylvia Beach's Shakespeare and Company bookshop, led by Joshua Kotin and Rebecca Sutton Koeser

A review of War Stories, a digital project that tells the stories of children during World War II, created by Gabrielle Atwood Halko

A review of GeoMAP, a cartographic project on the history of the Parisian art market, created by Léa Saint-Raymond, Félicie Faizand de Maupeou, and Julien Cavero

A review of Land and Legacy, a project investigating the University of Virginia’s land expansion since the 1980s, directed by Janet S. Dunkelbarger, Connor Kenaston, Natasha Roth-Rowland, Lauren Van Nest, and Chloe Down Wells

A review of Mapping Marronage, an interactive project examining the mobility of enslaved people in the 18th and 19th centuries, directed by Annette Joseph-Gabriel

A review of Lesbian and Gay Liberation in Canada, an interactive digital resource for the study of lesbian, gay, bisexual, transgender, and queer (LGBTQ+) history in Canada from 1964 to 1981, directed by Constance Crompton and Michelle Schwartz

A review of Mapping the Gay Guides, a project mapping data from Bob Damron’s Address Books, created by Amanda Regan and Eric Gonzaba

A review of the Distant Viewing Toolkit, a software library for computational analysis of visual culture, developed by Taylor Arnold and Lauren Tilton

A review of Furious Flower Digital Archive, a project featuring materials from the 1994 Furious Flower Poetry Conference, led by Joanne V. Gabbin and the Furious Flower Poetry Center

A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell

A review of SongData, a project studying the development and evolution of popular music genres over time, directed by Jada Watson with collaborator André Vellino

A review of Media History Digital Library, a library of film and media-related magazines and books, directed by Eric Hoyt

A review of the Anti-Eviction Mapping Project, a digital media arts collective documenting gentrification struggles and creating tools for housing justice

A review of Relaciones Geográficas, an interface for exploring the Relaciones Geográficas of Mexico and Guatemala, 1577-1585, directed by Albert Palacios

A review of On the Books: Jim Crow and Algorithms of Resistance, a Collections as Data and machine learning project, directed by Amanda Henley and Matthew Jansen

A review of Slave Revolt in Jamaica, 1760-1761, a cartographic narrative, directed by Vincent Brown

A review of Mapping Modern Jewish Cultures, a digital project on Jewish café culture, directed by Shachar Pinsker

A review of Mapping Jewish LA, a series of interrelated digital exhibitions on the past and present of Jewish Los Angeles, directed by Todd Presner and Caroline Luce

A review of Cartas a la familia / Family Letters, a digital archive of family correspondence, directed by Isabel Velázquez

A review of Chicana Diasporic, a research hub on the Chicana Caucus of the National Women’s Political Caucus (NWPC), directed by Linda Garcia Merchant

A review of New Roots / Nuevas Raíces Oral History Initiative, a bilingual digital information system documenting Latin Americans in the US South, directed by Hannah E. Gill

A review of Recovering New York City’s Nineteenth-Century Spanish-Language Press, a digital map of 19th-century Hispanophone print culture, curated by Kelley Kreitz

A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair

A review of Borderlands Archives Cartography, a digital mapping project of U.S.-Mexico border periodicals, directed by Maira E. Álvarez and Sylvia A. Fernández

A review of Chicana/o Activism in the Southern Plains Through Time and Space, a digital history project exploring the development of the Chicana/o Movement, directed by Joel Zapata

A review of My Nola, My Story, a multimedia platform for gathering, documenting, classifying, contextualizing, and sharing the experiences and legacies of communities of color that have called New Orleans home, directed by Shearon Roberts

A review of Sekuru's Stories, a digital public humanities project featuring the renowned Zimbabwean mbira player, oral historian, and ritual specialist Sekuru Tute Chigamba, authored by Jennifer Kyker and Sekuru Tute Chigamba