A review of Lesbian and Gay Liberation in Canada, an interactive digital resource for the study of lesbian, gay, bisexual, transgender, and queer (LGBTQ+) history in Canada from 1964 to 1981, directed by Constance Crompton and Michelle Schwartz
A review of Collective Biographies of Women, a project dedicated to the prosopography of women from books published in the late 19th and early 20th centuries, created by Alison Booth
A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell
A review of Furious Flower Digital Archive, a project featuring materials from the 1994 Furious Flower Poetry Conference, led by Joanne V. Gabbin and the Furious Flower Poetry Center
A review of SongData, a project studying the development and evolution of popular music genres over time, directed by Jada Watson with collaborator André Vellino
A review of On the Books: Jim Crow and Algorithms of Resistance, a Collections as Data and machine learning project, directed by Amanda Henley and Matthew Jansen
A review of the Anti-Eviction Mapping Project, a digital media arts collective documenting gentrification struggles and creating tools for housing justice
A review of Documenting Judeo-Spanish, a digital humanities project preserving the Solitreo alphabet of the Ladino language, directed by Bryan Kirschen
A review of EHRI Ghettos, an authority list of Holocaust-era Ghettos using Wikidata, directed by Nancy Cooey, Kepa Joseba Rodriguez, and Vladimir Alexiev
A review of Sekuru's Stories, a digital public humanities project featuring the renowned Zimbabwean mbira player, oral historian, and ritual specialist Sekuru Tute Chigamba, authored by Jennifer Kyker and Sekuru Tute Chigamba
A review of the Princeton Prosody Archive, a full-text searchable database that documents and highlights discourses about the study of language and poetry in English, led by Meredith Martin, Mary Naydan, and Rebecca Sutton Koeser
A review of Chicana/o Activism in the Southern Plains Through Time and Space, a digital history project exploring the development of the Chicana/o Movement, directed by Joel Zapata
A review of the Indianapolis Imam Warith Deen Muhammad Community Collection, a digital collection documenting the life of Indianapolis's African American Muslim community, led by Edward Curtis
A review of Borderlands Archives Cartography, a digital mapping project of U.S.-Mexico border periodicals, directed by Maira E. Álvarez and Sylvia A. Fernández
A review of the Lansing Urban Renewal Project, a georectified map tracing the development and impact of urban renewal in Lansing, Michigan since 1950, created by John Aerni-Flessner and students enrolled in RCAH 192 at Michigan State University in Spring 2018 and 2019
A review of Money and Exchange in West Africa, an archival collection demonstrating the vibrant monetary system in West Africa from the 18th to 20th centuries, directed by Leigh Gardner and Ellen Feingold
A review of Bodies and Structures, a collaborative digital history project constructing the spatial histories of the Japanese Empire, directed by Kate McDonald and David Ambaras
A review of the Marianne Moore Digital Archive, a digital project offering reproductions and transcriptions of Moore's notebooks, directed by Cristanne Miller
A review of Women of the Early Harlem Renaissance, a collection of poetry, drama, and fiction by African American women writers from 1900-1922, directed by Amardeep Singh
A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair
A review of the Digital Second Edition of Judaica Americana, a searchable database of American Jewish publications based on Robert Singerman's Judaica Americana: A Bibliography of Publications to 1900, directed by Arthur Mitchell Fraas and Arthur Kiron and managed by Emily Esten
A review of Land and Legacy, a project investigating the University of Virginia’s land expansion since the 1980s, directed by Janet S. Dunkelbarger, Connor Kenaston, Natasha Roth-Rowland, Lauren Van Nest, and Chloe Down Wells
A review of GeoMAP, a cartographic project on the history of the Parisian art market, created by Léa Saint-Raymond, Félicie Faizand de Maupeou, and Julien Cavero
A review of Digital Community Engagement, an open-access volume of case studies on digital partnerships, edited by Rebecca S. Wingo, Jason A. Heppler, and Paul Schadewald
A review of the Shakespeare and Company Project, a database of records from Sylvia Beach's Shakespeare and Company bookshop, led by Joshua Kotin and Rebecca Sutton Koeser
A review of The Mixtape Museum, an archive project that collects, preserves, and shares knowledge about mixtape history, directed by Regan Sommer McCoy
A review of Sonic Histories of Cork City, a public arts project exploring relationships between sound, space, and history, directed by Jillian Rogers, Elaine Harrington, and John Hough
A review of Digitizing Rochester's Religions, a public history project on religious communities in Rochester, New York, directed by Margarita S. Guillory and Daniel Gorman, Jr.
A review of Stories in Stone, an annotated guide to the collections and papers of Ernest Westlake, directed by Rebe Taylor with Michael Jones and Gavan McCarthy
Review of Digital Oral Histories for Reconciliation, a virtual reality experience on the Nova Scotia Home for Coloured Children, directed by Kristina Llewellyn
A review of The Penn & Slavery Project, an app and website investigating the University of Pennsylvania's relationship to slavery, directed by Kathleen Brown
A review of Southeast Asia Under Japan, a repository for diverse primary and secondary sources related to studying the occupation of Southeast Asia in World War II, led by Sandeep Ray, Han Xing Yi, and Velusamy Sathiakumar Ragul Balaji
A review of The Old Spanish Trail Auto Highway Archive and Map, a digital project on the Old Spanish Trail national roadway, directed by Lindsay Passenger Wieck
A review of Forever Gwen Brooks, a website generating variations of the final poem in Gwendolyn Brooks' 1969 chapbook RIOT, created by Lilian-Yvonne Bertram
A review of Mina Loy, a multimedia digital project on the avant-garde works of modernist writer and artist Mina Loy, directed by Suzanne W. Churchill, Linda Kinnahan, and Susan Rosenbaum
A review of I'm Still Surviving, an interactive digital exhibition featuring oral histories of women living with HIV/AIDS, directed by Jennifer Brier and Matt Wizinsky
A review of Colonial Frontier Massacres, an interactive web map of massacres on the Australian colonial frontier, developed by Lyndall Ryan, Bill Pascoe, and team
A review of The American Soldier in World War II, a digital project studying U.S. Army surveys on the experiences of troops in the Second World War, directed by Edward J.K. Gitre
A review of Eileen Southern and The Music of Black Americans, a community-curated digital exhibition, directed by Katie Callam, Christina Linklater, and Carol J. Oja
A review of Dartmouth ‘66 Seminar Exhibit, a collection of materials related to the 1966 Anglo-American Seminar in the Teaching of English at Dartmouth College, curated by Annette Vee with contributions from Megan McIntyre and Lindsey Harding
A review of Dig: A History Podcast, a podcast that delves into unique historical themes, directed by Averill Earls, Sarah Handley-Cousins, Elizabeth Garner Masarik, and Marissa Rhodes
A review of Outliers and Outlaws, a public digital humanities project based on the Eugene Lesbian Oral History Project, created by Judith Raiskin, Courtney Hermann, and Kerribeth Elliott
A review of Hispanic Theater Collection / Colección de teatro hispánico, a digital exhibit showcasing the theatrical past and present of Hispanic artists, directed by Gabriela Baeza Ventura and Lorena Gauthereau
A review of The Berkeley Folk Music Festival, a digital exhibit featuring multimedia materials on the history of the festival and the West Coast folk revival, directed by Michael J. Kramer
A review of In Search of the Drowned, a corpus development and data mining project that explores how to give voice to voiceless Holocaust victims, directed by Gabor Mihaly Toth
A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner
A review of the Gloria Naylor Archive, a physical and digital space making the works of Gloria Naylor available, directed by Suzanne M. Edwards and Mary Foltz
A review of the Roswell Museum Federal Art Center, a digital exploration of the early history of the Roswell Museum and Art Center in New Mexico, directed by Sara Woodbury
A review of Celebrating Simms, a permanent physical and digital exhibit honoring the legacy of Black educator Lucy Simms, directed by Mollie Godfrey and Seán McCarthy
A review of the Genoa Indian School Digital Reconciliation Project, a digital collection of materials related to the Genoa U.S. Indian Industrial School, directed by Susana D. Grajales Geliga, Margaret Jacobs, and Elizabeth Lorang
A review of the Bitter Aloe Project, a machine learning approach to studying South Africa’s Truth and Reconciliation Commission, led by Stephen Davis, William Mattingly, Robert Vaughan, and Jamari Turner
A review of Folklore, Place, and Song, a digital mapping project on corridos, created by Fiona Hartley-Kroeger, Matthew Kollmer, Loida Pan, and Isabella Viega
A review of Pacific Virtual Museum, a project fostering accessibility to the cultures of the Pacific, directed by Tim Kong, Taputukura Raea, and Ulu Afaese
A review of South Asian Canadian Digital Archive, a project exploring the South Asian diaspora in Canada, led by the South Asian Studies Institute at the University of the Fraser Valley
A review of the Urarina Digital Heritage Project, a digital collection of Indigenous cultural heritage materials, developed by the Institute for Digital Research in the Humanities at the University of Kansas
A review of Chicana por mi Raza Digital Memory Collective, a digital oral history project on Chicana feminist praxis, directed by Linda García Merchant and María Cotera
A review of the Northern Illinois University Latinx Oral History Digital Project, a digital collection of oral histories from a diverse group of Latinx people in the Midwest, directed by Christina D. Abreu
A review of the Civil Rights in Black and Brown Oral History Project, a multimedia database of interviews on civil rights movements of the mid-20th century, directed by Max Krochmal, Todd Moye, Marvin Dulaney, and Maggie Rivas-Rodriguez