Postcolonial studies

A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell

A review of Relaciones Geográficas, an interface for exploring the Relaciones Geográficas of Mexico and Guatemala, 1577-1585, directed by Albert Palacios

A review of Slave Revolt in Jamaica, 1760-1761, a cartographic narrative, directed by Vincent Brown

A review of Sekuru's Stories, a digital public humanities project featuring the renowned Zimbabwean mbira player, oral historian, and ritual specialist Sekuru Tute Chigamba, authored by Jennifer Kyker and Sekuru Tute Chigamba

A review of La Gazette Royale, a digital archive of Haiti's early print culture, directed by Marlene Daut

A review of Borderlands Archives Cartography, a digital mapping project of U.S.-Mexico border periodicals, directed by Maira E. Álvarez and Sylvia A. Fernández

A review of Money and Exchange in West Africa, an archival collection demonstrating the vibrant monetary system in West Africa from the 18th to 20th centuries, directed by Leigh Gardner and Ellen Feingold

A review of Ellas tienen nombre, a data project on gender violence in Juárez, created by Ivonne Ramírez Ramírez

A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair

A review of Mapping Marronage, an interactive project examining the mobility of enslaved people in the 18th and 19th centuries, directed by Annette Joseph-Gabriel

A review of RSHHGG Lab, an index for Revue de la société Haïtienne d’histoire, de géographie et de géologie (RSHHGG), directed by Chelsea Stieber

A review of Emblem/as, a work of electronic literature exploring personal and geographic cartography, created by Tina Escaja

A review of .break .dance, an interactive choreo-essay on Black diasporic existence, created by Marisa Parham

A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter

A review of Singing Box 331, a project examining a pamphlet of Mohican-language hymn texts from the 1740s, created by Rachel Wheeler and Sarah Eyerly

A review of Undisciplining the Victorian Classroom, a pedagogical resource for teaching Victorian studies through a race-conscious lens, directed by Pearl Chaozon Bauer, Ryan D. Fong, Sophia Hsu, and Adrian S. Wisnicki

A review of Connections in Sound, a project exploring Irish fieldwork audio and metadata, directed by Patrick Egan

A review of Stories in Stone, an annotated guide to the collections and papers of Ernest Westlake, directed by Rebe Taylor with Michael Jones and Gavan McCarthy

A review of the Caribbean Diaspora Project, a digital project on carnival, directed by Mirerza Gonzalez-Velez and Nadjah Ríos Villarini

A review of The Delek Archives, a blog documenting casteism and Islamophobia in Indian schools, directed by Titas Bose and Bhaswar Faisal Khan

A review of Indian Community Cookbooks Project, an archive of community cookbooks from India, directed by Khushi Gupta, Muskaan Pal, and Ananya Pujary

A review of Timeline of Empire, a student-generated timeline of U.S. empire, directed by Katrina Phillips

A review of They Came on Waves of Ink, a digital mapping project of a U.S. Customs ledger for the Puget Sound Customs District, directed by Sean Fraga

A review of A People's Atlas of Nuclear Colorado, a project on the Cold War's nuclear legacies, directed by Shiloh Krupar and Sarah Kanouse

A review of Colonial Frontier Massacres, an interactive web map of massacres on the Australian colonial frontier, developed by Lyndall Ryan, Bill Pascoe, and team

A review of the Islam Burkina Faso Collection, a database of materials on Islam, directed by Frédérick Madore

A review of Age of Revolutions, a digital journal exploring the history of revolutions, directed by Bryan A. Banks and Cindy Ermus

A review of In the Same Boats, a digital map exploring the travels of Afro-Atlantic intellectuals, directed by Kaiama L. Glover and Alex Gil

A review of Digital Library of the Caribbean, a digital library focused on preservation and access, housed at University of Florida Libraries

A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner

A review of Imagined Homeland, a project exploring locations referenced in the literature of Dominica, directed by Schuyler Esprit

A review of Alive in their garden, a multimodal curatorial Afro-Latinx ecocriticism project, directed by Mary Pena and Yomaira Figueroa-Vásquez

A review of the Bitter Aloe Project, a machine learning approach to studying South Africa’s Truth and Reconciliation Commission, led by Stephen Davis, William Mattingly, Robert Vaughan, and Jamari Turner

A review of Pacific Virtual Museum, a project fostering accessibility to the cultures of the Pacific, directed by Tim Kong, Taputukura Raea, and Ulu Afaese

A review of South Asian Canadian Digital Archive, a project exploring the South Asian diaspora in Canada, led by the South Asian Studies Institute at the University of the Fraser Valley

A review of the Urarina Digital Heritage Project, a digital collection of Indigenous cultural heritage materials, developed by the Institute for Digital Research in the Humanities at the University of Kansas

A review of Aquarium of Curiosities, a digital archive on the southern seas, directed by Isabel Hofmeyr and Charne Lavery

A review of Afro-Asian Networks, a data visualization project exploring internationalism between 1945 and 1965, directed by Rachel Leow, Su Lin Lewis, and Carolien Stolte

A review of Pollicy, a digital initiative that aims to bridge the gap between government and citizen in southern and eastern African countries, directed by Irene Mwendwa

A review of Paint Me Black, a project exploring African fractals, directed by Augustine Farinola

A review of the African Digital Heritage Project, a Nairobi-based non-profit organization at the intersection of storytelling, culture, and technology , directed by Chao Tayiana Maina

A review of Open Restitution Africa, a data platform focusing on the repatriation of African artifacts, directed by Chao Tayiana Maina and Molemo Moiloa

A review of Native Land Digital, a project counter-mapping Indigenous territories, led by Mesiah Burciaga-Hameed, Kyle Napier, Rudo Kemper, Shauna Johnson, and Moka Apiti