A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell
A review of Relaciones Geográficas, an interface for exploring the Relaciones Geográficas of Mexico and Guatemala, 1577-1585, directed by Albert Palacios
A review of Sekuru's Stories, a digital public humanities project featuring the renowned Zimbabwean mbira player, oral historian, and ritual specialist Sekuru Tute Chigamba, authored by Jennifer Kyker and Sekuru Tute Chigamba
A review of Borderlands Archives Cartography, a digital mapping project of U.S.-Mexico border periodicals, directed by Maira E. Álvarez and Sylvia A. Fernández
A review of Money and Exchange in West Africa, an archival collection demonstrating the vibrant monetary system in West Africa from the 18th to 20th centuries, directed by Leigh Gardner and Ellen Feingold
A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair
A review of Mapping Marronage, an interactive project examining the mobility of enslaved people in the 18th and 19th centuries, directed by Annette Joseph-Gabriel
A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter
A review of Undisciplining the Victorian Classroom, a pedagogical resource for teaching Victorian studies through a race-conscious lens, directed by Pearl Chaozon Bauer, Ryan D. Fong, Sophia Hsu, and Adrian S. Wisnicki
A review of Stories in Stone, an annotated guide to the collections and papers of Ernest Westlake, directed by Rebe Taylor with Michael Jones and Gavan McCarthy
A review of Colonial Frontier Massacres, an interactive web map of massacres on the Australian colonial frontier, developed by Lyndall Ryan, Bill Pascoe, and team
A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner