A review of The Germania Musical Society in Newport, RI, a multimedia digital exploration of an influential immigrant orchestra, directed by Brian Knoth
A review of Indian Ocean World Podcast, which explores historical trajectories of climate change, directed by Gwyn Campbell, Philip Gooding, and Sam Gleave Riemann
A review of the Northern Illinois University Latinx Oral History Digital Project, a digital collection of oral histories from a diverse group of Latinx people in the Midwest, directed by Christina D. Abreu
A review of the Civil Rights in Black and Brown Oral History Project, a multimedia database of interviews on civil rights movements of the mid-20th century, directed by Max Krochmal, Todd Moye, Marvin Dulaney, and Maggie Rivas-Rodriguez
A review of Chicana por mi Raza Digital Memory Collective, a digital oral history project on Chicana feminist praxis, directed by Linda García Merchant and María Cotera
A review of Folklore, Place, and Song, a digital mapping project on corridos, created by Fiona Hartley-Kroeger, Matthew Kollmer, Loida Pan, and Isabella Viega
A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner
A review of The Berkeley Folk Music Festival, a digital exhibit featuring multimedia materials on the history of the festival and the West Coast folk revival, directed by Michael J. Kramer
A review of Paisajes sonoros históricos / Historical Soundscapes, a website exploring historical urban soundscapes, directed by Juan Ruiz Jiménez and Ignacio Lizarán Rus
A review of Eileen Southern and The Music of Black Americans, a community-curated digital exhibition, directed by Katie Callam, Christina Linklater, and Carol J. Oja
A review of Dig: A History Podcast, a podcast that delves into unique historical themes, directed by Averill Earls, Sarah Handley-Cousins, Elizabeth Garner Masarik, and Marissa Rhodes
Review of the East End Digital Library, a project that makes 19th-century archives of London's East End available to the public, directed by Heidi Kaufman
A review of Sonic Histories of Cork City, a public arts project exploring relationships between sound, space, and history, directed by Jillian Rogers, Elaine Harrington, and John Hough
A review of The Mixtape Museum, an archive project that collects, preserves, and shares knowledge about mixtape history, directed by Regan Sommer McCoy
A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter
A review of SongData, a project studying the development and evolution of popular music genres over time, directed by Jada Watson with collaborator André Vellino
A review of La Frontera: Artists Along the Mexico-U.S. Border, a showcase of artists, photographers, musicians, dancers, and writers from the border, directed by Stefan Falke
A review of the Princeton Prosody Archive, a full-text searchable database that documents and highlights discourses about the study of language and poetry in English, led by Meredith Martin, Mary Naydan, and Rebecca Sutton Koeser
A review of Sekuru's Stories, a digital public humanities project featuring the renowned Zimbabwean mbira player, oral historian, and ritual specialist Sekuru Tute Chigamba, authored by Jennifer Kyker and Sekuru Tute Chigamba