A review of Native Land Digital, a project counter-mapping Indigenous territories, led by Mesiah Burciaga-Hameed, Kyle Napier, Rudo Kemper, Shauna Johnson, and Moka Apiti
A review of Pollicy, a digital initiative that aims to bridge the gap between government and citizen in southern and eastern African countries, directed by Irene Mwendwa
A review of Open Restitution Africa, a data platform focusing on the repatriation of African artifacts, directed by Chao Tayiana Maina and Molemo Moiloa
A review of the African Digital Heritage Project, a Nairobi-based non-profit organization at the intersection of storytelling, culture, and technology , directed by Chao Tayiana Maina
A review of Afro-Asian Networks, a data visualization project exploring internationalism between 1945 and 1965, directed by Rachel Leow, Su Lin Lewis, and Carolien Stolte
A review of Pacific Virtual Museum, a project fostering accessibility to the cultures of the Pacific, directed by Tim Kong, Taputukura Raea, and Ulu Afaese
A review of the Urarina Digital Heritage Project, a digital collection of Indigenous cultural heritage materials, developed by the Institute for Digital Research in the Humanities at the University of Kansas
A review of South Asian Canadian Digital Archive, a project exploring the South Asian diaspora in Canada, led by the South Asian Studies Institute at the University of the Fraser Valley
A review of the Bitter Aloe Project, a machine learning approach to studying South Africa’s Truth and Reconciliation Commission, led by Stephen Davis, William Mattingly, Robert Vaughan, and Jamari Turner
A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner
A review of Colonial Frontier Massacres, an interactive web map of massacres on the Australian colonial frontier, developed by Lyndall Ryan, Bill Pascoe, and team
A review of Stories in Stone, an annotated guide to the collections and papers of Ernest Westlake, directed by Rebe Taylor with Michael Jones and Gavan McCarthy
A review of Undisciplining the Victorian Classroom, a pedagogical resource for teaching Victorian studies through a race-conscious lens, directed by Pearl Chaozon Bauer, Ryan D. Fong, Sophia Hsu, and Adrian S. Wisnicki
A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter
A review of Mapping Marronage, an interactive project examining the mobility of enslaved people in the 18th and 19th centuries, directed by Annette Joseph-Gabriel
A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell
A review of Relaciones Geográficas, an interface for exploring the Relaciones Geográficas of Mexico and Guatemala, 1577-1585, directed by Albert Palacios
A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair
A review of Money and Exchange in West Africa, an archival collection demonstrating the vibrant monetary system in West Africa from the 18th to 20th centuries, directed by Leigh Gardner and Ellen Feingold
A review of Borderlands Archives Cartography, a digital mapping project of U.S.-Mexico border periodicals, directed by Maira E. Álvarez and Sylvia A. Fernández
A review of Sekuru's Stories, a digital public humanities project featuring the renowned Zimbabwean mbira player, oral historian, and ritual specialist Sekuru Tute Chigamba, authored by Jennifer Kyker and Sekuru Tute Chigamba