Topic: Public Humanities

A review of Celebrating Simms, a permanent physical and digital exhibit honoring the legacy of Black educator Lucy Simms, directed by Mollie Godfrey and Seán McCarthy

A review of the Maine Digital Collaborative, a multimodal digital public humanities project, directed by John Muthyala and Lisa Hibl

A review of the Roswell Museum Federal Art Center, a digital exploration of the early history of the Roswell Museum and Art Center in New Mexico, directed by Sara Woodbury

A review of African American History and Culture, a pedagogical website, directed by Terry Carter

A review of the Gloria Naylor Archive, a physical and digital space making the works of Gloria Naylor available, directed by Suzanne M. Edwards and Mary Foltz

A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner

A review of Imagined Homeland, a project exploring locations referenced in the literature of Dominica, directed by Schuyler Esprit

A review of Singing the Nation, a digital project on contemporary resonance of “Lift Every Voice and Sing,” directed by Sonya Donaldson

A review of Digital History of the Jews of Boston, a pedagogical exploration of Jewish history in Boston and beyond, directed by Simon Rabinovitch

A review of Paisajes sonoros históricos / Historical Soundscapes, a website exploring historical urban soundscapes, directed by Juan Ruiz Jiménez and Ignacio Lizarán Rus

A review of Age of Revolutions, a digital journal exploring the history of revolutions, directed by Bryan A. Banks and Cindy Ermus

A review of Disability and Belonging, an ArcGIS StoryMap exploring the Camphill movement, directed by Katherine Sorrels

A review of Lynching in Texas, a website uncovering little-known stories of Texan lynching victims, directed by Jeffrey L. Littlejohn

A review of History of Early American Landscape Design, a digital resource for early U.S. landscape aesthetics and garden design in the colonial and national periods, directed by Therese O'Malley and Matthew J. Westerby

A review of Eileen Southern and The Music of Black Americans, a community-curated digital exhibition, directed by Katie Callam, Christina Linklater, and Carol J. Oja

A review of Dig: A History Podcast, a podcast that delves into unique historical themes, directed by Averill Earls, Sarah Handley-Cousins, Elizabeth Garner Masarik, and Marissa Rhodes

A review of Civic War & Reconstruction Governors of Mississippi, a digital documentary edition of governors' papers, directed by Susannah J. Ural

A review of The American Soldier in World War II, a digital project studying U.S. Army surveys on the experiences of troops in the Second World War, directed by Edward J.K. Gitre

A review of MaCleKi, a location-based digital history project that curates historic places in and around Kisumu, Kenya, directed by J. Mark Souther, Meshack Owino, and Erin J. Bell

A review of Medicine | Race | Democracy Lab, a digital humanities project exploring access and care beyond hospital systems, led by Lan Li, Ricardo Nuila, Fady Joudah, Pierce Salguero, and their team

A review of Visualizing the Virus, a digital project exploring COVID-19, directed by Sria Chatterjee and Ellen Ambrosone

A review of I'm Still Surviving, an interactive digital exhibition featuring oral histories of women living with HIV/AIDS, directed by Jennifer Brier and Matt Wizinsky

A review of Black Health and the Humanities, interdisciplinary training workshops exploring Black health, directed by Josie Gill and Amber Lascelles

A review of Healing Histories, a timeline exploring the COVID-19 pandemic, directed by Cara Page, Susan Raffo, and Anjali Taneja

A review of Stop AAPI Hate, a website collecting accounts of anti-Asian racism during the COVID-19 pandemic, directed by Russell Jeung and Aggie Yellow Horse

A review of COVID and Black California, a dashboard exploing how the COVID-19 pandemic affected Black people in California, led by Paulette Brown-Hinds, Stephanie Williams, Candice Mays, and Alex Reed

A review of A People's Atlas of Nuclear Colorado, a project on the Cold War's nuclear legacies, directed by Shiloh Krupar and Sarah Kanouse

A review of Mina Loy, a multimedia digital project on the avant-garde works of modernist writer and artist Mina Loy, directed by Suzanne W. Churchill, Linda Kinnahan, and Susan Rosenbaum

A review of Mapping Memphis, a geospatial project using funeral ledger data, directed by Abigail Norris

Review of The Oak of Jerusalem, a StoryMap of Great Dismal Swamp, created by Christy Hyman

A review of Black Craftspeople Digital Archive, an archive of the lives and experiences of Black craftspeople during the 18th and 19th centuries, directed by Tiffany Momon and Torren L. Gatson

A review of Treasury of Weary Souls, a collection of insurance policies that underwrote enslaved people as property, directed by Michael Ralph

A review of Black Power in Washington, D.C. 1961-1998, an interactive web-based map of Black Power politics, directed by George Derek Musgrove

A review of Solidarity Book Project, a collaborative art project supporting access to books for Black and Indigenous communities, directed by Sonya Clark

A review of The Old Spanish Trail Auto Highway Archive and Map, a digital project on the Old Spanish Trail national roadway, directed by Lindsay Passenger Wieck

A review of East Asia For All, a podcast analyzing East Asian pop culture, directed by Stephanie Montgomery and Melissa Brzycki

A review of Indian Community Cookbooks Project, an archive of community cookbooks from India, directed by Khushi Gupta, Muskaan Pal, and Ananya Pujary

A review of The Delek Archives, a blog documenting casteism and Islamophobia in Indian schools, directed by Titas Bose and Bhaswar Faisal Khan

Review of Digital Oral Histories for Reconciliation, a virtual reality experience on the Nova Scotia Home for Coloured Children, directed by Kristina Llewellyn

A review of Baltimore Traces, a multimedia teaching project on Baltimore, directed by Nicole King and Bill Shewbridge

Review of the East End Digital Library, a project that makes 19th-century archives of London's East End available to the public, directed by Heidi Kaufman

A review of ArchivalGossip, a website and database focusing on the role of gossip in the 19th century, directed by Katrin Horn

A review of the Caribbean Diaspora Project, a digital project on carnival, directed by Mirerza Gonzalez-Velez and Nadjah Ríos Villarini

A review of MFAngle, a podcast discussing the hidden curriculum in MFA programs, led by Tyechia Thompson and Joe Forte

A review of AudibleRVA, a project featuring soundscapes of Richmond, Virginia, directed by Andy McGraw

A review of Sonic Histories of Cork City, a public arts project exploring relationships between sound, space, and history, directed by Jillian Rogers, Elaine Harrington, and John Hough

A review of The Museum of Portable Sound, a collection of field recordings organized as exhibition galleries on a single mobile phone, created by John Kannenberg

A review of The Mixtape Museum, an archive project that collects, preserves, and shares knowledge about mixtape history, directed by Regan Sommer McCoy

A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter

A review of Digital Community Engagement, an open-access volume of case studies on digital partnerships, edited by Rebecca S. Wingo, Jason A. Heppler, and Paul Schadewald

A review of Against All Odds, a digital archive of the African American men who served in the Mississippi state legislature from Reconstruction until the 1890s, created by DeeDee Baldwin

A review of Land and Legacy, a project investigating the University of Virginia’s land expansion since the 1980s, directed by Janet S. Dunkelbarger, Connor Kenaston, Natasha Roth-Rowland, Lauren Van Nest, and Chloe Down Wells

A review of Lesbian and Gay Liberation in Canada, an interactive digital resource for the study of lesbian, gay, bisexual, transgender, and queer (LGBTQ+) history in Canada from 1964 to 1981, directed by Constance Crompton and Michelle Schwartz

A review of Mapping the Gay Guides, a project mapping data from Bob Damron’s Address Books, created by Amanda Regan and Eric Gonzaba

A review of Furious Flower Digital Archive, a project featuring materials from the 1994 Furious Flower Poetry Conference, led by Joanne V. Gabbin and the Furious Flower Poetry Center

A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell

A review of Louisiana Slave Conspiracies, an interdisciplinary project on the 18th-century Pointe Coupée slave conspiracies, led by Bryan Wagner, Patty Frontiera, Shadrick A. Small, and Jenelle Thomas

A review of the Anti-Eviction Mapping Project, a digital media arts collective documenting gentrification struggles and creating tools for housing justice

A review of On the Books: Jim Crow and Algorithms of Resistance, a Collections as Data and machine learning project, directed by Amanda Henley and Matthew Jansen

A review of Slave Revolt in Jamaica, 1760-1761, a cartographic narrative, directed by Vincent Brown

A review of Mapping Modern Jewish Cultures, a digital project on Jewish café culture, directed by Shachar Pinsker

A review of Documenting Judeo-Spanish, a digital humanities project preserving the Solitreo alphabet of the Ladino language, directed by Bryan Kirschen

A review of Mapping Jewish LA, a series of interrelated digital exhibitions on the past and present of Jewish Los Angeles, directed by Todd Presner and Caroline Luce

A review of Scribes of the Cairo Geniza, a crowdsourced transcription project on manuscript fragments from the Cairo Geniza, from Judaica Digital Humanities at Penn Libraries

A review of Cartas a la familia / Family Letters, a digital archive of family correspondence, directed by Isabel Velázquez

A review of Chicana Diasporic, a research hub on the Chicana Caucus of the National Women’s Political Caucus (NWPC), directed by Linda Garcia Merchant

A review of Migration is Beautiful, a digital humanities project fostering awareness of Iowa's Latinx history, directed by Janet Weaver

A review of New Roots / Nuevas Raíces Oral History Initiative, a bilingual digital information system documenting Latin Americans in the US South, directed by Hannah E. Gill

A review of Women of the Early Harlem Renaissance, a collection of poetry, drama, and fiction by African American women writers from 1900-1922, directed by Amardeep Singh

A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair

A review of Bodies and Structures, a collaborative digital history project constructing the spatial histories of the Japanese Empire, directed by Kate McDonald and David Ambaras

A review of Digital Transgender Archive, an online project dedicated to improving access to transgender-related history, directed by K.J. Rawson

A review of Georgia Journeys, a digital exploration of experiences of World War II and the Holocaust, directed by Adina Langer

A review of La Frontera: Artists Along the Mexico-U.S. Border, a showcase of artists, photographers, musicians, dancers, and writers from the border, directed by Stefan Falke

A review of Humanizing Deportation, a community-based digital storytelling project, directed by Robert Irwin

A review of Ellas tienen nombre, a data project on gender violence in Juárez, created by Ivonne Ramírez Ramírez

A review of Makers by Mail, a mail order kit for physical computing, created by Christina Boyles and Andrew Boyles Petersen

A review of CantApp, a mobile reading app on Chaucer's General Prologue to The Canterbury Tales, created by Richard North, Peter Robinson, Barbara Bordalejo, and Terry Jones

A review of Money and Exchange in West Africa, an archival collection demonstrating the vibrant monetary system in West Africa from the 18th to 20th centuries, directed by Leigh Gardner and Ellen Feingold

A review of the Lansing Urban Renewal Project, a georectified map tracing the development and impact of urban renewal in Lansing, Michigan since 1950, created by John Aerni-Flessner and students enrolled in RCAH 192 at Michigan State University in Spring 2018 and 2019

A review of Borderlands Archives Cartography, a digital mapping project of U.S.-Mexico border periodicals, directed by Maira E. Álvarez and Sylvia A. Fernández

A review of Chicana/o Activism in the Southern Plains Through Time and Space, a digital history project exploring the development of the Chicana/o Movement, directed by Joel Zapata

A review of My Nola, My Story, a multimedia platform for gathering, documenting, classifying, contextualizing, and sharing the experiences and legacies of communities of color that have called New Orleans home, directed by Shearon Roberts