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Topic: Public Humanities
A review of Bodies and Structures, a collaborative digital history project constructing the spatial histories of the Japanese Empire, directed by Kate McDonald and David Ambaras
A review of Digital Transgender Archive, an online project dedicated to improving access to transgender-related history, directed by K.J. Rawson
A review of Georgia Journeys, a digital exploration of experiences of World War II and the Holocaust, directed by Adina Langer
A review of La Frontera: Artists Along the Mexico-U.S. Border, a showcase of artists, photographers, musicians, dancers, and writers from the border, directed by Stefan Falke
A review of Humanizing Deportation, a community-based digital storytelling project, directed by Robert Irwin
A review of Ellas tienen nombre, a data project on gender violence in Juárez, created by Ivonne Ramírez Ramírez
A review of Makers by Mail, a mail order kit for physical computing, created by Christina Boyles and Andrew Boyles Petersen
A review of CantApp, a mobile reading app on Chaucer's General Prologue to The Canterbury Tales, created by Richard North, Peter Robinson, Barbara Bordalejo, and Terry Jones
A review of Money and Exchange in West Africa, an archival collection demonstrating the vibrant monetary system in West Africa from the 18th to 20th centuries, directed by Leigh Gardner and Ellen Feingold
A review of the Lansing Urban Renewal Project, a georectified map tracing the development and impact of urban renewal in Lansing, Michigan since 1950, created by John Aerni-Flessner and students enrolled in RCAH 192 at Michigan State University in Spring 2018 and 2019
A review of Borderlands Archives Cartography, a digital mapping project of U.S.-Mexico border periodicals, directed by Maira E. Álvarez and Sylvia A. Fernández
A review of Chicana/o Activism in the Southern Plains Through Time and Space, a digital history project exploring the development of the Chicana/o Movement, directed by Joel Zapata
A review of My Nola, My Story, a multimedia platform for gathering, documenting, classifying, contextualizing, and sharing the experiences and legacies of communities of color that have called New Orleans home, directed by Shearon Roberts
