A review of Lesbian and Gay Liberation in Canada, an interactive digital resource for the study of lesbian, gay, bisexual, transgender, and queer (LGBTQ+) history in Canada from 1964 to 1981, directed by Constance Crompton and Michelle Schwartz
A review of Tribesourcing Southwest Film, a project redressing mid-century educational films about Native people of the Southwestern U.S., led by Jennifer L. Jenkins, Melissa Dollman, and Rhiannon Sorrell
A review of Furious Flower Digital Archive, a project featuring materials from the 1994 Furious Flower Poetry Conference, led by Joanne V. Gabbin and the Furious Flower Poetry Center
A review of Louisiana Slave Conspiracies, an interdisciplinary project on the 18th-century Pointe Coupée slave conspiracies, led by Bryan Wagner, Patty Frontiera, Shadrick A. Small, and Jenelle Thomas
A review of On the Books: Jim Crow and Algorithms of Resistance, a Collections as Data and machine learning project, directed by Amanda Henley and Matthew Jansen
A review of the Anti-Eviction Mapping Project, a digital media arts collective documenting gentrification struggles and creating tools for housing justice
A review of Documenting Judeo-Spanish, a digital humanities project preserving the Solitreo alphabet of the Ladino language, directed by Bryan Kirschen
A review of Mapping Jewish LA, a series of interrelated digital exhibitions on the past and present of Jewish Los Angeles, directed by Todd Presner and Caroline Luce
A review of Scribes of the Cairo Geniza, a crowdsourced transcription project on manuscript fragments from the Cairo Geniza, from Judaica Digital Humanities at Penn Libraries
A review of New Roots / Nuevas Raíces Oral History Initiative, a bilingual digital information system documenting Latin Americans in the US South, directed by Hannah E. Gill
A review of My Nola, My Story, a multimedia platform for gathering, documenting, classifying, contextualizing, and sharing the experiences and legacies of communities of color that have called New Orleans home, directed by Shearon Roberts
A review of Chicana/o Activism in the Southern Plains Through Time and Space, a digital history project exploring the development of the Chicana/o Movement, directed by Joel Zapata
A review of Borderlands Archives Cartography, a digital mapping project of U.S.-Mexico border periodicals, directed by Maira E. Álvarez and Sylvia A. Fernández
A review of the Lansing Urban Renewal Project, a georectified map tracing the development and impact of urban renewal in Lansing, Michigan since 1950, created by John Aerni-Flessner and students enrolled in RCAH 192 at Michigan State University in Spring 2018 and 2019
A review of Money and Exchange in West Africa, an archival collection demonstrating the vibrant monetary system in West Africa from the 18th to 20th centuries, directed by Leigh Gardner and Ellen Feingold
A review of CantApp, a mobile reading app on Chaucer's General Prologue to The Canterbury Tales, created by Richard North, Peter Robinson, Barbara Bordalejo, and Terry Jones
A review of La Frontera: Artists Along the Mexico-U.S. Border, a showcase of artists, photographers, musicians, dancers, and writers from the border, directed by Stefan Falke
A review of Bodies and Structures, a collaborative digital history project constructing the spatial histories of the Japanese Empire, directed by Kate McDonald and David Ambaras
A review of Women of the Early Harlem Renaissance, a collection of poetry, drama, and fiction by African American women writers from 1900-1922, directed by Amardeep Singh
A review of Islands in the North, a digital exhibit (re)creating the space and place of Black Caribbean immigrants in Toronto, Canada, directed by Marlene Gaynair
A review of Land and Legacy, a project investigating the University of Virginia’s land expansion since the 1980s, directed by Janet S. Dunkelbarger, Connor Kenaston, Natasha Roth-Rowland, Lauren Van Nest, and Chloe Down Wells
A review of Against All Odds, a digital archive of the African American men who served in the Mississippi state legislature from Reconstruction until the 1890s, created by DeeDee Baldwin
A review of Digital Community Engagement, an open-access volume of case studies on digital partnerships, edited by Rebecca S. Wingo, Jason A. Heppler, and Paul Schadewald
A review of Gulu SoundTracks, a collection of audio tracks that invites listeners into the sonic habitus and imaginations of their Gulu-based creators, created by Joella Bitter
A review of The Mixtape Museum, an archive project that collects, preserves, and shares knowledge about mixtape history, directed by Regan Sommer McCoy
A review of The Museum of Portable Sound, a collection of field recordings organized as exhibition galleries on a single mobile phone, created by John Kannenberg
A review of Sonic Histories of Cork City, a public arts project exploring relationships between sound, space, and history, directed by Jillian Rogers, Elaine Harrington, and John Hough
Review of the East End Digital Library, a project that makes 19th-century archives of London's East End available to the public, directed by Heidi Kaufman
Review of Digital Oral Histories for Reconciliation, a virtual reality experience on the Nova Scotia Home for Coloured Children, directed by Kristina Llewellyn
A review of The Old Spanish Trail Auto Highway Archive and Map, a digital project on the Old Spanish Trail national roadway, directed by Lindsay Passenger Wieck
A review of Solidarity Book Project, a collaborative art project supporting access to books for Black and Indigenous communities, directed by Sonya Clark
A review of Black Craftspeople Digital Archive, an archive of the lives and experiences of Black craftspeople during the 18th and 19th centuries, directed by Tiffany Momon and Torren L. Gatson
A review of Mina Loy, a multimedia digital project on the avant-garde works of modernist writer and artist Mina Loy, directed by Suzanne W. Churchill, Linda Kinnahan, and Susan Rosenbaum
A review of COVID and Black California, a dashboard exploing how the COVID-19 pandemic affected Black people in California, led by Paulette Brown-Hinds, Stephanie Williams, Candice Mays, and Alex Reed
A review of Stop AAPI Hate, a website collecting accounts of anti-Asian racism during the COVID-19 pandemic, directed by Russell Jeung and Aggie Yellow Horse
A review of I'm Still Surviving, an interactive digital exhibition featuring oral histories of women living with HIV/AIDS, directed by Jennifer Brier and Matt Wizinsky
A review of Medicine | Race | Democracy Lab, a digital humanities project exploring access and care beyond hospital systems, led by Lan Li, Ricardo Nuila, Fady Joudah, Pierce Salguero, and their team
A review of MaCleKi, a location-based digital history project that curates historic places in and around Kisumu, Kenya, directed by J. Mark Souther, Meshack Owino, and Erin J. Bell
A review of The American Soldier in World War II, a digital project studying U.S. Army surveys on the experiences of troops in the Second World War, directed by Edward J.K. Gitre
A review of Eileen Southern and The Music of Black Americans, a community-curated digital exhibition, directed by Katie Callam, Christina Linklater, and Carol J. Oja
A review of Dig: A History Podcast, a podcast that delves into unique historical themes, directed by Averill Earls, Sarah Handley-Cousins, Elizabeth Garner Masarik, and Marissa Rhodes
A review of History of Early American Landscape Design, a digital resource for early U.S. landscape aesthetics and garden design in the colonial and national periods, directed by Therese O'Malley and Matthew J. Westerby
A review of Paisajes sonoros históricos / Historical Soundscapes, a website exploring historical urban soundscapes, directed by Juan Ruiz Jiménez and Ignacio Lizarán Rus
A review of Musical Passage Project, an exploration of early African diasporic music, directed by Laurent Dubois, Mary Caton Lingold, and David K. Garner
A review of the Gloria Naylor Archive, a physical and digital space making the works of Gloria Naylor available, directed by Suzanne M. Edwards and Mary Foltz
A review of the Roswell Museum Federal Art Center, a digital exploration of the early history of the Roswell Museum and Art Center in New Mexico, directed by Sara Woodbury
A review of Celebrating Simms, a permanent physical and digital exhibit honoring the legacy of Black educator Lucy Simms, directed by Mollie Godfrey and Seán McCarthy
A review of Guide to Indigenous DC, an app highlighting Indigenous histories, presents, and futures in the nation's capital, directed by Elizabeth Rule
A review of the Genoa Indian School Digital Reconciliation Project, a digital collection of materials related to the Genoa U.S. Indian Industrial School, directed by Susana D. Grajales Geliga, Margaret Jacobs, and Elizabeth Lorang
A review of the Bitter Aloe Project, a machine learning approach to studying South Africa’s Truth and Reconciliation Commission, led by Stephen Davis, William Mattingly, Robert Vaughan, and Jamari Turner
A review of Pacific Virtual Museum, a project fostering accessibility to the cultures of the Pacific, directed by Tim Kong, Taputukura Raea, and Ulu Afaese
A review of South Asian Canadian Digital Archive, a project exploring the South Asian diaspora in Canada, led by the South Asian Studies Institute at the University of the Fraser Valley
A review of Chicana por mi Raza Digital Memory Collective, a digital oral history project on Chicana feminist praxis, directed by Linda García Merchant and María Cotera
A review of The Germania Musical Society in Newport, RI, a multimedia digital exploration of an influential immigrant orchestra, directed by Brian Knoth
A review of Streetscape Palimpsest, a project focusing on the history of an Atlanta street that is being buried under redevelopment, directed by Marni Davis
A review of Rendering Revolution, an interdisciplinary project that uses fashion to trace the aesthetic, social, and political reverberations of the Haitian Revolution, directed by Siobhan Meï and Jonathan Square